Finally finished mapping and painting the boots. This has been the most challenging part of the project so far, as there was way more geometry to map this time around. I’m pretty pleased with the results though, all in all, its probably the best texture painting on the model so far but I’m having some trouble with hiding some of the UV seams. Luckily they are pretty hard to spot when the model is fully in shot, but a close up on the boots reveals them slightly more.
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That wraps up all the clothing texturing. All thats left now is the body…
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Interior speed painting of the Inverted City. The concept came to me after listening to Funeralopolis by Electric Wizard, the title conjured images of some kind of subterranean city – rock-hewn from the cavern it inhabits, inverted and hanging from the ceiling.
Watch this space for an exterior painting.
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So here’s the finished cloth and belt sections of the scout, I’m pretty pleased with the results so far seeing as I taught myself how to do this UV mapping lark.
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Basically spent my day painting textures and trying to get my head around UV mapping without it distorting all of my hard work!
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The beginnings of a new painting. This is my interpretation of Ziller, from Look To Windward by Iain M Banks. So far so good.
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Just a couple of face sketches.
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Come on, who doesn’t like Tali? Here’s a quick sketch I did of her, seriously… I think this is character design at its best, well done Bioware.
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Just a lil concept sheet for a creature. I’ll get around to painting / modeling this thing eventually I hope. I quite like it.
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